{"id":2336,"date":"2012-02-03T22:52:43","date_gmt":"2012-02-04T06:52:43","guid":{"rendered":"https:\/\/www.wkiri.com\/today\/?p=2336"},"modified":"2012-02-03T22:52:43","modified_gmt":"2012-02-04T06:52:43","slug":"violin-fingerings","status":"publish","type":"post","link":"https:\/\/www.wkiri.com\/today\/?p=2336","title":{"rendered":"Violin fingerings"},"content":{"rendered":"<p>Since my last post about violin lessons, I&#8217;ve had the pleasure of learning the following new bits:<\/p>\n<ul>\n<li>First four-finger fingering pattern (termed &#8220;red&#8221; in <a href=\"http:\/\/www.goodreads.com\/book\/show\/8128726-fingerboard-geography-for-violin-vol-1\">Fingerboard Geography<\/a>), which consists of a whole-whole-half-whole step pattern (played on any string).  This is, conveniently, just what you need to play in the key of D minor, at least on the D and A strings.  I&#8217;ve been doing &#8220;finger marches&#8221; up and down these notes, which helps train my ear and also helps strengthen my pinkie.\n<li>D Major arpeggios.  I&#8217;m finding these *hard* because they not only skip notes (challenging my newbie ear) but also cross strings.  Much more challenging than a scale.\n<li>Bowing variations.  The default back-and-forth bowing is termed &#8220;d\u00c3\u00a9tach\u00c3\u00a9.&#8221;  We&#8217;ve also discussed staccato (slight pause at the end of the note, stopping the bow on the string; feels &#8220;sticky&#8221;) and slurs (playing two or more notes with the same bow motion, yielding a smoother sound).\n<\/ul>\n<p>I&#8217;m enjoying using Pachelbel&#8217;s Canon as a &#8220;piece&#8221; to work on.  It&#8217;s conveniently in the key of D, and it keeps presenting new and interesting challenges, such as a high G-natural that requires a fingering change (from the &#8220;red&#8221; above to &#8220;blue&#8221;, which is whole-half-whole-whole steps).  We encountered this in today&#8217;s lesson, so I left with additional homework: to learn the blue fingering, as well as &#8220;yellow&#8221; (whole-whole-whole-half) so that I can get the low C# on the G string.  Yowza!<\/p>\n<p>It&#8217;s a weird brain-inverting feel to read music for the violin.  I had piano lessons for a short while as a kid, and I remember how sharps and flats were a mark of deviation (from the white keys) &#8212; because both the music and the piano are set to the key of C by default.  Yet with this &#8220;red&#8221; fingering we started with (and I think is the most common way to start on the violin), it&#8217;s the key of D that&#8217;s easiest to work with.  This means that the marked sharps (C# and F#) come for free on the D and A strings and it&#8217;s the sneaky G-natural (on the E string) that requires special handling.  It takes a sharp eye to notice this!<\/p>\n<p>But then I was reading through some of Wolhfart&#8217;s Etudes (a book I have from my previous violin lessons, which always defeated me with its difficulty) and realized that, because they&#8217;re written in the key of C, the blue fingering is just what&#8217;s called for, throughout most of the first etude!  So that&#8217;s another way to practice it.  I&#8217;m glad to start being able to map these fingering concepts to what the written music needs.<\/p>\n<p>I&#8217;m also getting more of a view of all of the pieces that learning to play the violin entails &#8212; like cresting a hill and beginning to make out new landmarks in the distance.  I started paging through later parts of Fingerboard Geography and noticed where it introduces *shifting* &#8212; moving your left hand up or down the fingerboard!  Yikes!  It&#8217;s presented as &#8220;no-fear shifting,&#8221; which manages to be both comforting and intimidating at the same time (evidently shifting is scary for a lot of people, else there would be no such term).  I don&#8217;t expect to be ready to learn that for a while, although it&#8217;s needed about halfway down the first page of Pachelbel&#8217;s Canon (we&#8217;re skipping that section for now).  Always more to learn!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Since my last post about violin lessons, I&#8217;ve had the pleasure of learning the following new bits: First four-finger fingering pattern (termed &#8220;red&#8221; in Fingerboard Geography), which consists of a whole-whole-half-whole step pattern (played on any string). This is, conveniently, just what you need to play in the key of D minor, at least on [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[34],"tags":[],"_links":{"self":[{"href":"https:\/\/www.wkiri.com\/today\/index.php?rest_route=\/wp\/v2\/posts\/2336"}],"collection":[{"href":"https:\/\/www.wkiri.com\/today\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.wkiri.com\/today\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.wkiri.com\/today\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.wkiri.com\/today\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2336"}],"version-history":[{"count":4,"href":"https:\/\/www.wkiri.com\/today\/index.php?rest_route=\/wp\/v2\/posts\/2336\/revisions"}],"predecessor-version":[{"id":2341,"href":"https:\/\/www.wkiri.com\/today\/index.php?rest_route=\/wp\/v2\/posts\/2336\/revisions\/2341"}],"wp:attachment":[{"href":"https:\/\/www.wkiri.com\/today\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2336"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.wkiri.com\/today\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2336"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.wkiri.com\/today\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2336"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}